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Leave Disco Dancer Alone
Leave Disco Dancer Alone

Leave Disco Dancer Alone

by Sudha Rajagopalan

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Product ID:24259

Language

English

Publisher

Foundation Books

ISBN

9788190618601 - Year: 2008 - Pages: 252

Binding

Paperback

Sudha Rajagopalan
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Author: Sudha Rajagopalan
Publisher: Foundation Books
Year: 2008
Language: English
Pages: 252
ISBN/UPC (if available): 9788190618601

Description

In this important new book, Sudha Rajagopalan explores the consumption of Indian popular cinema in post-Stalinist Soviet society.

In doing so, she highlights the enthusiastic response Indian popular films and their stars received from the Soviet audience, as well as the discursive and institutional context in which this consumption occurred from the mid-fifties till the end of the Soviet era in 1991.

The death of Stalin in 1953 was followed by the introduction of important changes in government policy in the Soviet Union, including a relative liberalization of leisure and culture which revealed the state’s resurgent interest in addressing popular tastes. The renewed import and screening of foreign entertainment films in the Soviet Union was one of the most visible outcomes of this change.


Drawing on oral history methodology and archival research in Russia, the author analyses the ways in which Soviet movie-goers, policy makers, critics and sociologists responded to, interpreted and debated Indian cinema in the Soviet Union between 1954 and the end of the eighties.

Complemented by contemporary press and archival photos which capture the rapturous reception given to actors like Raj Kapoor, Nargis, Shashi Kapoor, Amitabh Bachchan and Mithun Chakraborty as well as Soviet film posters announcing films like Awara, Betaab and Chandni, this engaging book, which is also the first monograph on Indian cinema abroad among non-diasporic audiences, is a must-read not only for students and scholars of film history and cultural studies, but every such lay reader who has grown up on a regular diet of popular Indian cinema.

Contents

List of Illustrations
acknowledgements
{reface

Introduction
Indian films and Movie- going after Stalin

Indian Films in the Soviet Past
Memories articulated

Import/Facilitation
Ambivalent Accommodation

Cultural Mediation and Disengagement

Public Voices
Negotiations

Conclusion

Appendices

References and Selected Bibliography

Index

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