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Masooma
Masooma

Masooma

by Ismat Chughtai

Your Price: $22.50
In Stock.

Product ID:30418

Language

English

Publisher

Kali/Women Unlimited

ISBN

8188965669 - Year: 2011 - Pages: 125

Binding

Paperback

Ismat Chughtai

Author: Ismat Chughtai
Translator(s)/ Editors(s): Tahira Naqvi
Publisher: Kali/Women Unlimited
Year: 2011
Language: English
Pages: 125
ISBN/UPC (if available): 8188965669

Description

Masooma, published in 1962, may well be regarded as a work that celebrates all of Ismat Chughtai’s talents as a writer. Perhaps her darkest novel, a narrative of lost hope and endless cycles of corruption and injustice, it traces the journey of Masooma, a young woman from a respectable Muslim family who becomes embroiled in a game of exploitation and treachery and becomes Nilofar, a commodity that can be easily bought and sold.

Once again, in telling Masooma’s story, Chughtai cuts open the underbelly of India’s political landscape and the underpinnings of the Bombay film world to reveal their shadowy and unsavory side.

ABOUT THE TRANSLATOR:

Tahira Naqvi, a translator of Urdu fiction and prose, taught English for twenty years, has taught Urdu at Columbia, and now heads the Urdu programme at New York University. She has translated Ismat Chughtai’s short stories, her novel and her essays. She has also translated the works of Khadija Mastur, Sa’dat Hasan Manto and Munshi Premchand. Naqvi also writes fiction in English. She has published two collections of short fiction, Attar of Roses and Other Stories of Pakistan and Dying in a Strange Country. Her short stories have been widely anthologized.

COMMENTS:

... inimitable style ... racy prose and a strong narrative with a powerful sense of drama.

— The Book Review

She grabs your attention with her poker-sharp words – in which sometimes an entire world of experience is buried in a single sentence. Where did she get that amazing observation, that acerbic wit, that dry sense of humour? And why can’t we have more writers like her?

— The New Indian Express

Her writing is ironic, caustic, frank, bold and, yes, irreverent ... She is merciless in her depiction of corruption, deceit, injustice and hypocrisy. Yet, her empathy for her characters is always evident, as is her pain for their suffering.

— The Hindu

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