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Perspectives in the Vedic and the Classical Sanskrit Heritage
Perspectives in the Vedic and the Classical Sanskrit Heritage

Perspectives in the Vedic and the Classical Sanskrit Heritage

by G V Davane

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Product ID:17782

Language

English

Publisher

D K Printworld

ISBN

8124600317 - Year: 1995 - Pages: 275

Binding

Hardcover

G V Davane
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Author: G V Davane
Publisher: D K Printworld
Year: 1995
Language: English
Pages: 275
ISBN/UPC (if available): 8124600317

Description

A distinguished scholar who has had a lifetime engagement with Sanskrit studies: ranging from the Vedic samhitas to contemporary literary criticism, Professor Davane here offers at once insightful, highly stimulating perspectives on diversely varied themes from classical Sanskrit literature, poetics, linguistics, dramaturgy, history, mythology and legendary narratives. And, these apart, brilliant reinterpretations of the Vedic views of the moon, samudra (ocean), dreams and deep sleep.

Reviewing the gamut of kavya definitions and its scope, in terms of the literary genres it encompasses, the book critically examines, for the first time, Rajashekhara’s view of shabdaharana (verbal borrowings), kavisamayas (conventional poetic ideas) in Sahityashastra, and the progression of rasanishpatti in classical Sanskrit literature. It also seeks to gauge Mahamahopadhyaya Dr. P.V. Kane’s contribution to Sanskrit poetics — rather than his oft-appraised work on Dharmashastra.

Dr. Davane marshals an astonishing mass of original literary sources to highlight the all-expansive influence of Kalidasa’s unparalleled Iyric: Meghaduta, on classical writings, the richness of Banabhatta’s utprekshas (poetic imagination), the emergence of Sarasvati as a pantheonic deity, and how Sita, the epitome of ideal womanhood, has been varyingly portrayed by over twenty Sanskrit playwrights. Also shown, in addition, are the legends/myths about Samudra-manthana, Amritamanthan, Rahu-Ketu, Udayana, and Dhanvantari, in their altogether fresh perspectives.

This composition of Prof. Davane’s writings is an essential reading for the scholars/researchers of Vedic and Classical Sanskrit literature.

Contents

FOREWORD

PREFACE

ACKNOWLEDGEMENTS

ABBREVIATIONS

1. Influence of the Meghaduta on Sanskrit Literature
Literature Explaining or Supplementing the MD
Commentaries
Supplements to the Meghaduta
Attempts at Utilising the Text of the Meghaduta for Jain Literary Works
The Dutakavyas or the Messenger-Poems
Birds as Messengers
Insects as Messengers
Inanimate Objects as Messengers
Abstract Concepts Used as Messengers in Some of the Dutakavyas
Mythological Messengers in Some of the Dutakavyas
Human and Superhuman Beings as Messengers in Some of the Poems
The Causes of Separation
The Durations of Separation
The Topics of Description
The Routes to be Traversed
Ideas and Expressions Found in the Dutakavya Literature
Delineation of Vipralambha Shringara or Love in Separation
Description of Nature
Ideas and Expressions Parallel to those in the Meghaduta
Ideas
Expressions
2. Definition of Kavya and its Scope
Scope of Kavya
Definitions by Different Indian Critics
Vamana’s Views About Kavya
Mammata’s and Other Critics’ Opinions
Some Outstanding Western Critic’s Views
Conclusion
3. The Goddes Sarasvati in Sanskrit Literature
Sarasvati in the Riv
Sarasvati as the Goddess of Learning in the Post-vedic Literature
Description of Sarasvati in the Post-Vedic Literature
Metaphysical Aspect of Sarasvati
Sarasvati’s Relation to Brahma
Conclusion
4. Sita in Sanskrit Plays
Views on Sita’s Birth
Sita Svayamvara
Preparing for Vanavasa
Forest-Life in Vanavasa
Sita-Harana
Hanumat as a Messenger
War Between Rama and Ravana
Agnidivya of Sita
Sita’s Separation from Rama
Conclusion
5. Poetic Conventions in Sanskrit Literature
Origin and Development
Kavyadoshas and the Poetic Conventions
Comparative Views by Different Critics
Conclusion
6. Samudra in the Rigveda
Differental Meanings According to the Eastern and the Western Scholars
Knowledge of ‘The Sea’ to the Aryans
Knowledge of the ‘The Submarine Fire’
Development of the Meanings of the Word Samudra
7. The Moon in the Vedic Literature
The Moon in the Riv
The Moon in Other Samhitas
The Moon in the Brahmanas
The Moon in the Aranyakas
The Moon in the Upanishads
A Few Similar Ideas in Other Mythologies of the World
8. Dreaming-sleep and Deep-sleep in Vedic Literature
Samhitas of the Veda
The Brahmanas
The Aranyakas
The Principal Upanishads
9. Ushijah in the Rigveda
Sayana’s Explanation of the Word Ushij
Ushijs as a Clan
Different Views About Aushija
Ushij as Uiskhsh Part of a Trio in the Avesta
Conclusion
10. Rigvedic Rishi Nabhanedishtha
Nabhanedishtha - A Manava
Relationship Between Nabhanedishtha and Nabanazdista
Conclusion
11. The Fourteen Gems in the Legend of Samudra-Manthana
12. The Rahu-Ketu Myth
Rahu-Ketu in the Mahabharata
Rahu-Ketu in the Puranas
Views of Different Scholars
Eclipse-Myth According to Other Mythologies
Conclusion
13. A critical Study of Dhanvantari
Dhanvantari in Different Versions
The Original Phenomenon
Dhanvantri’s Relation with Vishnu
Dhanvantari’s Connection with the Science of Medicine
The Origin of Medical Science in Comparative Mythology
Conclusion
14. MM. Dr. Kane’s Contribution to Sanskrit Poetics
Part I
Part II
The Mutual Relation of Bhamaha - Nyasa-Magha
The Problem of the Authorship of Dhvanyaloka
15. The Legend of Udayana
The Early History of Udayana or The Story of Mrigavati
Buddhist Literature
Jain Literature
Udayana-Vasavadatta Episode
Buddhist Literature
Jain Literature
Udayana-Padmavati Episode
Udayana and Other Heroines
The Birth of Naravahanadatta
Udayana’s End
Buddhist Literature
Jain Literature
16. Utprekshas of Banabhatta
Definition and Scope
Imaginative Power of Bana
Utprekshas - Pregnant with Meanings
Blending with Other Figures of Speech
Themes Appreciated by Bana
Glimpses of Social Life
Admiration of Bana’s Imaginative Power
17. Good and Bad Verbal Borrowing According to Rajashekhara
Types of Borrowal of Ideas
Originality of Ideas
Types of Borrowing
Conclusion
18. Apavarya and Janantikam in Theory and Practice
Distinguishing Characteristics According to Sanskrit Critics
Different Views of the Practising Sanskrit Dramatists
Analytical Survey of the Plays
Technical Stage Direction: Different Methods
Post-Bhavabuti Sanskrit Plays
Views of Sanskrit Commentators
Modern Scholar’s Views
Critical Analysis
19. The Process of Rasanishpatti

GLOSSARY

BIBLIOGRAPHY

INDEX

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