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Secularism in Indian Art
Secularism in Indian Art

Secularism in Indian Art

by K V Soundra Rajan

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Product ID:14873

Language

English

Publisher

Abhinav Publications

ISBN

8170172454 - Year: N/A - Pages: 109

Binding

Paperback

K V Soundra Rajan
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Author: K V Soundra Rajan
Publisher: Abhinav Publications
Year: N/A
Language: English
Pages: 109
ISBN/UPC (if available): 8170172454

Description

This book is directed towards inquiring into the definition of the scope of secularism in a holistic way, in so far as it could apply to ancient Indian creative art, often labelled as religious art. It is, however, seen that this art often shows in its composition, partly or wholly, a deliberate unrelatedness to its immediate locus, and conveys the mind of the artist, his absorption of the aesthetic and literary, traditional, mystic and the rasa-charged pulsating life-stream legacy, and display of macro-cosmic temper, supra-regional commonality and norm-building penchant, in his eventual creations.

Religion can produce profound thought, but not art which, through the medium of religion, shows insight and the impacts of secular experience. Examining by a sampling the entire range of art, sectorally and chronologically, to detect the secular manifestations embedded in the art presentations, the author finds that there is an integrated secularism in the art of India’s past, invoked by the artists who had been groomed in its culture and who had developed a macro-perception, by the totality of the impacts of the Dharmasastras, Arthasastras, Kamasastras, and Natyasastras, along with the hieratic works and the fertility cults and mystic deity-devotee links, analogous to mundane romantic attachment, and the ancient artist who owned all this as a private legacy, had evolved his own techniques for formal creations of them in art.

Illustrated with sixty-four plates and line drawings, besides Notes on Plates and Appendices, the eight chapters of the book dissect the processes behind art creations, to reveal humanism and secularism.

Contents

PREFACE

Prolegomena
Narrative Range
Synthesis of Time and Theme
Chronological Panorama of Evolution
Cultural Ethos
The Literary Heritage in Fine Arts
Philosophy of Summation and Formation
The Medieval Situation
Totality of Values
Appendix I
Appendix II
Select Bibliography
Notes on Plates

INDEX

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