Shopping Bag

0 item(s) in cart/ total: $0    view cart
Shakespeare and the Art of Lying
Shakespeare and the Art of Lying

Shakespeare and the Art of Lying

by Supriya Chaudhuri

Your Price: $49.95
Out of Stock.

Product ID:32983

Language

English

Publisher

Orient BlackSwan

ISBN

9788125052647 - Year: 2013 - Pages: 247

Binding

Hardcover

Supriya Chaudhuri
Shipping Note: This item usually arrives at your doorstep in 10-15 days

Author: Supriya Chaudhuri
Gangeya Mukherji/Several Contributors
Translator(s)/ Editors(s): Shormishtha Panja
Publisher: Orient BlackSwan
Year: 2013
Language: English
Pages: 247
ISBN/UPC (if available): 9788125052647

Description

Questions of truth, untruth, representation and deception were pivotal to sixteenth and seventeenth century thought. Be it Machiavelli, More or Montaigne, writers and philosophers struggled with questions of lying and truth-telling, and how truth is constructed and performed. But what view did Shakespeare subscribe to? What notions of falsehood, and, axiomatically, of truth, emerge from a reading of his works?This collection of essays from scholars such as Stuart Sillars, Coppélia Kahn, Supriya Chaudhuri, Bijoy Boruah, R. W. Desai, Gert Hofmann and Shormishtha Panja explores the many facets of lies, deception, truth and half-truth that feature so prominently in well-known plays such as Hamlet, King Lear, Twelfth Night and A Midsummer Night’s Dream and in Shakespeare’s Sonnets and poems.From philosophy to physiognomy, from fictionality to reality, the essays are as varied as revealing. While the book explores the subversive potential of speech in the context of gender and class in Othello, there is also an analysis of ‘The Phoenix and the Turtle,’ one of Shakespeare’s lesser-known works. From examining visages of truth and deception in Hamlet, drawing on early modern discourses of face-reading, to reading Shakespeare in light of Nietzschean truth and falsehood and theories of mimesis and verisimilitude—these essays analyse how complex and textured Shakespeare’s engagement with lying is. In addition, the essayists pull into their orbit writers as varied as Plato, St. Augustine, Erasmus, Castiglione, and Franz Kafka.Enlightening for the student and scholar alike, Shakespeare and the Art of Lying examines Shakespeare’s words from a hitherto unexplored angle, and raises new questions about the art of representation and dissimulation, and the rhetorical practices of truth and falsehood.About The Editor:Shormishtha Panja is Professor, Department of English, University of Delhi, and President, Shakespeare Society of India.Contributors:Bijoy H. Boruah, Supriya Chaudhuri, R. W. Desai, Swati Ganguly, V. C. Harris, Gert Hofmann, Coppélia Kahn, Davinder Mohini Ahuja, Gangeya Mukherji, Shormishtha Panja, Stuart Sillars. COMMENTS:‘… this fascinating volume tease[s] out the complex array of connections between “lying” and “truth” in Shakespeare's writing. The two terms emerge here not as straightforward binary opposites, but as shifting, mutually implicated nodes within larger webs of religious, political, and philosophical discourse. To “lie like the truth” is not just a dark art practiced by the Witches of Macbeth; it is a pervasive skill in early modern English cultural production, from the sprezzatura of the courtier and the rhetoric of the grammar schoolboy to the fabulation of the poet and the imposture of the actor. With these eleven essays, Shakespeare's plays and poems emerge as laboratories within which the art of ‘lying like the truth’ is repeatedly scrutinized, tested, unravelled, and re-assembled.’ = Jonathan Gil Harris, Professor of English, George Washington University, USA, and Associate Editor, Shakespeare Quarterly‘This outstanding collection … from an international group of scholars is admirable for delivering both focus and range. On the one hand, it is tightly and rigorously organized around the theme of lying, dissimulation, and ‘lying like truth’ in Shakespeare, so that readers will experience the pleasure of working through a problem. At the same time, extending its reach to other early modern writers such as Montaigne, Machiavelli, and Castiglione, it explores the issue of “lying” in relationship to physiognomy, skepticism, gender, ethics, politics, painting, poststructuralism, and literary theory.’ = Robert Henke, Professor of Drama and Comparative Literature, Washington University, USA

Contents

ContentsIntroductionShormishtha Panja1. ‘You lie, you are not he’: Identity, Rhetoric and Convention in Shakespeare’s Art of Lying by Stuart Sillars2. Reading Faces in Hamlet by Coppélia Kahn3. Being True to Yourself: Lying in Hamlet by Supriya Chaudhuri4. ‘Truth may seem, but cannot be’: Truth as Contingent in Shakespeare’s ‘The Phoenix and the Turtle’ by R. W. Desai5. Dissimulation, Sprezzatura and Negative Politeness in Castiglione and Shakespeare by Shormishtha Panja6. Reading King Lear: The Evil of Lying and the ‘Perception’ of Truth by Gangeya Mukherji7. Gendering Lying and Truth-telling in Othello by Swati Ganguly8. The Illusory Referent: Structure and Gender as Fiction in Philip Sidney’s The Old Arcadia and William Shakespeare’s Twelfth Night by Davinder Mohini Ahuja9. ‘Character Colonisation’: Play(s)-within-the-play in A Midsummer Night’s Dream and its Recent Malayalam ‘Adaptation’ by V. C. Harris10. Literary Fiction and the Art of Verisimilitude by Bijoy H. Boruah11. ‘... denn—es giebt keine Wahrheit.’ (... for—there is no truth.): Nietzsche and Hamlet or the Rehabilitation of Fiction in Philosophy by Gert HofmannNotes on ContributorsIndex

Related Items

Recently Viewed Items