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The Secret Politics of Our Desires
The Secret Politics of Our Desires

The Secret Politics of Our Desires

by Ashis Nandy

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Product ID:4189

Language

English

Publisher

Oxford University Press

ISBN

0195639367 - Year: 1998 - Pages: 358

Binding

Hardcover

Ashis Nandy

Author: Ashis Nandy
Publisher: Oxford University Press
Year: 1998
Language: English
Pages: 358
ISBN/UPC (if available): 0195639367

Description

This collection of essays aims to create a sharper awareness of popular Indian films as a possible source for an alternative, non-formal frame of political and social analysis.

The emphasis is not on film theory or the aesthetics of popular cinema, but on the larger politics of culture as it is epitomized in popular films. It self-consciously disengages itself from conventional film theory and regular models of cultural studies to rethink cinema as a form of shared tacit political knowledge.

For Ashish Nandy, the metaphor for Indian popular cinema is the urban slum; he argues that popular cinema is the slum's point of view of Indian politics and society. Ziauddin Sardar's and Rajni Bakshi's essays are highly personalized narratives that they to capture the crises of Indian public life as reflected in the generational and stylistic changes in popular cinema.

The other essays focus on what films say about the means available for ordinary citizens to intervene in Indian politics and urban life: the way the receiver of audio-visual messages creatively reshapes them for his or her own purposes the distinctive relationship of Tamil films with politics; and the absence in Indian cinema of any genuine outsider, either in the form of an alienated hero or a villain.

This book is essential reading for social scientists and all those interested in the series study of films.

Contents

ASHIS NANDY

Introduction
Indian Popular Cinema as a Slum's Eye View of politics

ZIAUDDIN SARDAR
Dilip Kumar made me do it

RAJNI BAKSHI
Raj Kapoor:
From Jis Desh Mein Ganga Behti Hai to Ram Teri Ganga Maili

FAREEDUDDIN KAZMI
How angry is the Angry Young Man?
Rebellion in Conventional Hindi Films

ANJALI MONTEIRO
Official Television and unofficial fabrications of the self: The Spectator as Subject

K RAVI SRINIVAS AND SUNDAR KAALI
On Castes and Comedians: The language of power in recent Tamil Cinema

VINAY LAL
The impossibility of the outsider in the modern Hindi film

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