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My Friend, My Enemy
by Ismat Chughtai      (Author ALERT)



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ProductID: 8151 - Hardcover - 284 Pages (Year: 2001)
Kali/Women Unlimited ~ ISBN: 81 86706 24 0

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 Indiaclub.com Description

This selection from Ismat Chughtai's prose writing comprising essays, commentaries, reminiscences, and pen- portraits of her well-known contemporaries, gives the reader a good idea of the artistic, political and social mores of her times.

Ismat Chugtai established herself as a stalwart of Urdu fiction when writing by and about women was both rare and tentative. This selection from Ismat Chughtai's prose writing comprising essays, commentaries, reminiscences, and pen- portraits of her well-known contemporaries, gives the reader a good idea of the artistic, political and social mores of her times. It serves both as a background to her own work and furnishes insights into the art and lives of her contemporaries.

Chugtai's involvement with the Progressive Writers' Association and her friendship with writers like Sa'adat Hasan Manto, Patras Bokhari, Krishan Chander, Rajinder Singh Bedi, and others have resulted in a treasure-trove of writing, marked by her characteristic irreverence and wit.

THE TRANSLATOR:

Raised and educated in Lahore; Pakistan, TAHIRA NAQVI is now settled in the US. She teaches English and has translated the works of Sa'adat Hasan Manto, Khadija Mastur and Ismat Chugtai. She also writes fiction in English. 'Attar of Roses and Other Stories of Pakistan' is her first collection, and a second entitled 'Dying in a Strange Country' is forthcoming.



 Table of Contents

A Note on Ismat Chughtai’s Nonfictional Writings

ESSAYS

Communal Violence and Literature

A Word

Heroine

Woman

I Have Something to Say

Where Should We Go?

Story

From Bombay to Bhopal

The Ghost Of One who is Condemned to Hell

REMINISCENCES

We People

The Dust of the Caravan

The Lihaaf Trial

From Here to There

PORTRAITS

Memories

My Friend, My Enemy

Dry Leaves

The Lamps are Lit

Bachoo

The Slumberous One

Condemned to Hell

Asrarul Haq Majaz

 


 About the Author

Born in Badayun, UP, in 1915, Ismat Chughtai grew up largely in Jodhpur where her father was a civil servant. Her brother Azeem Bai Chughtai was a major early influence, and taught her English, history, the Quran and Hadith. She avoided marriage at fifteen only by getting engaged to a cousin whom she never intended to marry. Similarly, she had to fight for her education before she was allowed to obtain a bachelor's degree from Isabella Thoburn College in Lucknow. She taught at a girls' school in Bareilly before going on to teacher training at Aligarh Muslim University. She and her other 6 women classmates had to sit behind a curtain at the back of the class.

"If we could get what we wanted by sitting in purdah we would sit in purdah. We were interested in studying. If they had told us to wear burqas, we would have agreed."

In this period she started writing in secret. From 1939 - 41 she taught at the Raj Mahal Girls' School in Jodhpur, and then was an inspector of schools in Bombay. She married Shahid Latif, a filmmaker, in 1941, and had two daughters. In this year she also wrote her story Lihaaf (The Quilt). Its lesbian theme brought her both notoriety and fame. She was charged by the British government with obscenity, but won the case because her lawyer argued that the story could be understood only by those who already had knowledge of lesbianism, and thus could not be a corrupting influence.

In 1943 she turned completely to a writing career. Rasheed Jahan, a leading writer and political revolutionary of the time, was her most significant influence. She says that many of her heroines have been modeled on Rasheed Jahan.

Ismat Chughtai died in 1991.


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